
CITADEL (2012) Months after his wife was fatally attacked by a group of mysterious children, Tommy (Aneurin Barnard) realizes the same kids have come back to terrorize him and his daughter. While his mental health deteriorates, Tommy receives help from a disgraced priest (James Cosmo) who informs him the children are inhuman creatures that feed off fear. As with director Ciarán Foy’s other films (Eli, Sinister 2), Citadel is a good concept not fully realized. Yet, for most of the short 84-minute runtime the film works quite well, with Foy building a genuinely suspenseful and claustrophobic environment for Tommy to grapple with – not to mention some creepy, Cronenberg-esque kids. A lackluster conclusion slightly stains the overall impact the rest of the movie has, with one wondering what a few more rewrites of the screenplay might have achieved. B–

PHANTOMS (1998) A small Colorado town is overtaken by a mysterious, shapeshifting black ooze (not unlike The X-Files) emanating from below the ground in this entertaining but slight adaptation of the popular Dean Koontz book. When the town’s new doctor (Joanna Going) and her sister (Rose McGowan) arrive to discover most of the inhabitants dead or missing, they, along with the sheriff (Ben Affleck), try to figure out how to escape alive, and possibly save the rest of humanity. A good first half that builds intriguing mystery is muted with the introduction of too many uninteresting characters and a lengthy sequence inside a military vehicle where said characters sit around and hypothesize the creature’s origins. The special FX are good and the action robust, just don’t expect too much meat on these bones. C+

THE POSSESSION OF JOEL DELANEY (1972) Wealthy New York socialite Norah (Shirley MacLaine) becomes suspicious of brother, Joel’s (Perry King), change in behavior when he starts acting aggressive and speaking in a language he doesn’t know. When Joel’s girlfriend is found murdered, Norah believes the spirit of Joel’s deceased Puerto Rican friend (and serial killer) has invaded her brother’s body. An intriguing and suspenseful film that plays out more like a mystery than your typical possession movie, although it has its share of shocking moments. MacLaine is excellent and the mood bleak. The screenplay falls apart during the last several, hectic minutes, but the downbeat ending rings true. B

STRANGE INVADERS (1983) A love letter to ’50s sci-fi flicks, this has college professor, Dr. Bigelow (Paul LeMat), looking for his ex-wife (Diana Scarwid) in a small town and inadvertently stumbling onto a secret alien takeover that’s been going on for 25 years. With the help of a tabloid newspaper writer (Nancy Allen), Bigelow tries to uncover the alien plot, only to end up getting his daughter kidnapped and the government involved. Sort of a companion piece to director Michael Laughlin’s Strange Behavior, Invaders is both odd and charming, utilizing its kitschy premise by playing up the nostalgic vibe of movies like Invaders from Mars and Invasion of the Body Snatchers, and downplaying the seriousness of those films at the same time. Allen and Fiona Lewis (in a small role) are both delightful, but LeMat is wooden and unsympathetic. It’s not perfect, but there’s a lot to like here, and given the small budget, the practical FX are terrific. B