
Dreamcatcher – 2003, US, 134m. Director: Lawrence Kasdan. Streaming: N/A
The Evil – 1978, US, 89m. Director: Gus Trikonis. Streaming: Tubi
Srigala – 1981, Indonesia, 90m. Director: Sisworo Gautama Putra. Streaming: N/A

DREAMCATCHER (2003) Dreamcatcher is proof that not all books can be—or should be—translated into film. This is especially true with Stephen King novels, specifically Dreamcatcher, a novel King wrote while admittedly high on pain killers (and which explains this movie’s convoluted plot). Basically a Frankenstein’s monster of bits and pieces from other King stories, Dreamcatcher focuses on a band of lifelong friends, all of whom share a psychic link formed during childhood after encountering a strange young boy (Andrew Robb) with supernatural powers. During their annual log cabin get-together, the gang is terrorized by vicious, snake-like creatures that like to burrow inside people’s guts before ripping out of their backsides (played out in a scene that may have read as horrifying in the book but here comes off as unintentionally funny). There are also enormous bipedal aliens running amok, which the military have been secretly at war with for twenty-five years. Again, all this might have been engaging on paper, but on film Dreamcatcher is confusing and hollow, with too many ideas thrown into an overflowing, nonsensical pot that never gels. A good cast overacts on trite dialogue, but Thomas Jane wins in the end by giving the film way more legitimacy than it deserves. A movie that supplies more douche chills than the dreaded “ass weasels.” D

THE EVIL (1978) Psychiatrist Richard Crenna purchases a massive hilltop manor with plans to turn the place into a drug rehabilitation center. Soon after moving in, the doctor’s wife (Joanna Pettet) begins seeing a ghostly apparition walking about the place, which is followed by a series of bizarre incidents, including the fiery death of the groundskeeper. Things worsen when a trap door in the basement opens, unleashing pure evil and trapping Crenna and his students inside the house with the Devil himself (Victor Buono). A surprisingly good little flick, The Evil doesn’t contribute anything new to the cinematic haunted house realm, and most of the characters are boneheads, yet the film is well-paced, contains several inventive SFX set pieces, and is never dull. Buono, in a small part, is devilishly charming. Just don’t expect much. B

SRIGALA (1981) Treasure hunters seeking lost riches at the bottom of a backwoods lake are stalked by a killer in this Indonesian Friday the 13th rip-off, but the arrival of fun-seeking teenagers creates a high body count for the Jason-like menace, who goes about hacking and slashing their way through the cast of mostly amateur actors. After a pre-credits disemboweling, the movie is slow to get to any more sanguinary activities, with a whole lotta filler focused on skin diving, a boat chase, an elaborate dream sequence, and a completely ridiculous kung-fu catfight between two of the female campers. Once the killer is back in action, Srigala becomes an efficiently-made bloodbath, with the last 30 minutes being an almost shot-for-shot remake of Friday the 13th, right down to the “shock” ending. It’s slightly amusing, but in the end one can’t help feel cheated. C