
HIDDEN (2016) In the aftermath of a devastating viral outbreak that has created “Breathers,” a father (Alexander Skarsgård), mother (Andrea Risenborough), and their 9-year-old daughter (Emily Alyn Lind) try to survive in an underground bomb shelter. When the “Breathers” discover their hiding place, the family must give up their new comforts and fight to the death. Despite its dense atmosphere, the film fails to muster any suspense. The characters are too dimwitted to be sympathetic, and certain situations feel so fake and forced that any sense of reality and tension is thrown out the window. The screenplay (written by Stranger Things‘s Matt and Ross Duffer) wastes the first 30 minutes repeatedly reminding its audience of the rules the protagonists need to follow in order to evade the “Breathers,” yet said rules are ignored whenever it’s convenient to the plot. A lifeless, predictable doomsday tale that feels like the diet soda version of The Road. D

THE NEW KIDS (1985) After their military parents are killed in a car crash, teen siblings Loren (Shannon Presby) and Abby (Lori Loughlin) move to Florida and are immediately beset by a gang of psychopathic bullies. After Abby repeatedly ignores the romantic advances of the pack’s leader (James Spader), he and his friends decide to make her and her brother’s life hell, that is until Abby and Loren fight back. Friday the 13th‘s Sean S. Cunningham directs this slick thriller that works, mostly, thanks to a good cast and some genuine suspense. It gets a bit too melodramatic here and there, but at just 89 minutes it gets by on pure 80’s charm. B

THE REEF: STALKED (2022) An in-name only sequel to the terrific 2010 original, Stalked follows four friends who are terrorized by a large shark while kayaking off the coast of Australia. Director Andrew Traucki does a good job of building suspense, especially during the first hour, with an emphasis on less is more. The film loses momentum thanks to transparent characters and an uninteresting backstory that keeps resurfacing and getting in the way of the main attraction. Add to that a rather lackluster climax and you have an enjoyable but forgettable shark chiller. C+